Specs

Product Name: JLab Talk or Talk GO USB Microphones (Refurbished)
Model: ZMTALKGORBLK4-B, ZMTALKRBLK4-B
Condition: Refurbished

• External microphone for superior audio quality
• Two options—the Go and the Talk
• Plug-and-play setup (whew)
• Quick mute button
• Talk: $69.99 on Amazon
• Talk GO: $24.32 on Amazon
• Compact microphones with high-quality performance
• Free from drivers with plug-and-play USB/USB-C cables with 90° connectors that allow you to record within seconds
• Great for individual or business calls, voiceovers, podcasting, music recording, or ASMR
• Quick-Mute button for easy access, and a 3.5mm AUX input for real-time listening with zero latency
• Use the standard-sized 5/8” input for swivel mounting anything, like camera tripods or other stands
• System Connections: Windows: 7,8,10; Mac: 10.10 or higher
  TALK GO
• Studio-quality resolution of 96kHz/24BIT
• 2 directional pattern modes: Cardioid and Omnidirectional
• Controls: Volume Control & Quick Mute
• 2 Condensers
• Weight (Microphone Body): 4.59 oz
• Weight (Microphone with stand): 10.56 oz
• Dimensions: 5" x 2.17" x 2.17"
• Dimensions with tripod position: 5.91" x 7.68" x 7.68"
  Technical Specs
  Manual
  TALK
• Studio-quality resolution of 96kHz/24BIT
• 4 directional pattern modes: Cardioid, Omnidirectional, Stereo, and Bidirectional
• Controls: Volume Control, Gain Control & Quick Mute
• 3 Condensers
• Weight (Microphone Body): 7.58 oz
• Weight (Microphone with stand): 14.56 oz
• Dimensions: 5.31" x 2.76" x 2.48"
• Dimensions with tripod position: 9.25" x 7.68" x 195mm
  Technical Specs
  Manual

What’s Included?

• 1x JLab Talk GO Plug Play USB Microphone (Refurbished)
• 1x 5-ft USB to USB-C cable
  OR
• 1x JLab Talk Plug Play USB Microphone (Refurbished)
• 1x 6.5ft USB to USB-C cable

Price Comparison

¯\_(ツ)_/¯

Warranty

90 days

Estimated Delivery

Monday, Aug 21 - Tuesday, Aug 22

Interesting mic, but the built-in-headphone jack, while a neat idea, and effectively an additional audio output, will not allow you to disable the local monitoring of the microphone; i.e. you always have to listen to yourself (as opposed to letting your streaming software ‘monitor’ yourself after filters/compressors applied